Featured image courtesy of Netflix.
MANILA, Philippines — Yep! It’s official! She’s not called “The Queen of All Media” for nothing—the Netflix C.H.I.K.A. (Chief Head of Insights and Kontent Analysis), Kris Aquino, wraps up her day finally doing the editing herself.
After a communication mishap with Earljohn, she then decides to lock in and get creative with the editing of a fresh batch of films.
Known for her unapologetic, unfiltered, and quirky ideas, the newfound Netflix executive adds “a little extra oomph” to scenes from Call Me Mother, Shake Rattle and Roll: Evil Origins, Manila’s Finest, and Ganito, Ganyan, at Ganoon.
Image courtesy of Netflix.
Giving yet another layer of fun into every clip, the Netflix C.H.I.K.A. proves that her skills know no bounds of genre. Dramedy, horror, period crime? She said it best—“Game na!”
It was at the beginning of this month when Aquino returned to the screens unannounced for the streaming giant in a campaign unlike any other. With her honest-to-goodness comments, she began her beloved antics with the editor, dishing out post-process treatment to three clips for currently streaming titles of A Secret in Prague, Blood vs Duty, and The Master Cutter.
Halfway through her first day on the job, she then offered her creative touch to the scenes of series and films now available on the platform such as Someone, Someday; Rekonek, Love You So Bad, and Unmarry.
Watch the end of her video series here:
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